Yeah, so I haven’t been blogging for awhile now. It happens around this time of year – from September to the start of December work really heats up. This year, I’ve pretty much been working every day at work, after work, on days off and on the weekends for the past few weeks – so I’m tired as <pick your profanity> right now.
What I did manage to do for the first month or so was keep on painting, if not blogging or taking many photos, or being active online. This is one of the things I managed to finish. The Reaper Bones pillars I worked on in October were in many ways a lead-in to this model, which I’ve painted for Tarmor, from the Dragons of Lancasm blog. At this point it’s actually been painted for… well, over a month. 6 weeks perhaps? I dunno. We don’t manage to catch up often due to work and conflicting schedules, and so hobby things tend to go between via some mutual friends, and with work the way it’s been I’ve seen less of them lately, and kept forgetting to pass it on when I have…
Almost every time I see this model, the above Simpsons quote pops into my head.
Dating from about 1985, This model is something of a rare breed these days – something I’ve painted for someone else, which is pretty much something I never do anymore. I just don’t have the time these days, and I have way too many models of my own – and I certainly don’t need the money that I used to get for commissions back in the 90’s anymore.
When I first saw the model, my initial thoughts were to do it in what I guess is a pretty “traditional” manner – painting the spine in bone, and firey red-orange bodies and tentacles crawling around the red eye. After a bit of quick reflection, I visualised pretty much the exact scheme I’ve actually painted it in. The spine and ribs sculpted out of a dark green marble, while ethereal spirits writhe around the eye of Sauron, which sucks the light from the creatures around it – providing a nice contrast, and an ersatz eye socket effect.
As the ethereals and the throne itself create a rather cold feel, the warm colours of the eye – the redness of the iris and the yellowed eyeball – create a nice contrast that makes The Eye of Sauron really stand out.
While basing is an important thing to consider, there was a kind of dichotomy at play here. I used a rolled-edge base as I wanted the throne to be raised up a little to represent its importance and also to protect the model – old lead chips easily. At the same time, I wanted the floor to be rather understated and generic – both so the model can be used in different settings and also so the actual throne remains the complete focus to the eye. To this end, I went with a simple texture on a rather dull grey. It will fit into dungeons and the like, or also outside if needed, with only a slight greenish tinge/glow to where the floor meets the edges of the ethereals.
Now I just need to get the thing across town to him…
Azazel's Bitz Box. 