Age of Sigmar: Malign Sorcery – Endless Spells: Quicksilver Swords (Contrast Paint Experiment #19)

Age of Sigmar, Malign Sorcery, Endless Spells, Quicksilver Swords, Contrast Paint

As part of “The Tray” I finished off another of the Endless Spells that have been hanging around part-painted for ages now. This one being the Quicksilver Swords. (Probably) No relation to Pietro Maximoff or Surfwear. A pretty complex model as a simple single piece cast from a simple concept, it’s a pretty good model, really. It’s on a 40mm base (I forgot – again – to take a shot alongside a model for scale reference) but it’s a pretty decently sized piece. I’ll have to do some Endless Spell group shots when I have a few more of them done…

Age of Sigmar, Malign Sorcery, Endless Spells, Quicksilver Swords, Contrast Paint

Since I didn’t think much of the almost-white yellow ectoplasm-smoke-whatever in the official art, I instead opted for purple to add a bit of colour and a nice compliment to the gold of the swords’ hilts and pommels. I know I just showed off those purple leeches from reaper using a similar purple Contrast tone, but these were started months apart, and the purple Contrast parts were done ages ago as part of that. These sword had, well, the entirety of the swords to paint to get them finished, along with the base. So here we are. Basically, the colour of the ethereal mystic stuff is Contrast Magos Purple once again spot-diluted with Contrast Medium.

That’s it for today! Enjoy!

Realm of Chaos: Champion of Slaanesh (“Paint the Crap You Already Own!” April 2020 Challenge) (Jes Goodwin, 1988)

Realm of Chaos Slaves to Darkness Chaos Champion of Slaanesh, Jes Goodwin, 1988

My next model for Ann’s “Paint the Crap You Already Own!” challenge is this Chaos Champion of Slaanesh from the Slaves to Darkness releases of 1988. This particular model has been sitting around, somewhat part-painted for …I dunno. 15? 20 years? A hell of a long time. When I say part-painted, I mean I’d done a rougher vesion of the turquoise armour, and based it on a 25mm square base with green railroad flock. 3 or 4 years ago when I was doing some of my other old, unfinished chaos models I fished it out of the figure case and it’s been sititng on a tray on my painting desk ever since, with no real sense of urgency to work on since I didn’t really like the figure. After completing the Dwarf the other week, I asked Marouda to choose three figures for me to work on completing next. She chose this figure, no doubt because the various shades of Aqua and Turquoise are “my favourite colour” as well as another two – both of which are still WIP and one of which led to a block of 5 being worked on sort-of-together.

Realm of Chaos Slaves to Darkness Chaos Champion of Slaanesh, Jes Goodwin, 1988

I kept the aqua-turquoise armour, and went with a brass for the helmet, which had sat, primed white since I could never figure out what to do with it. The bondage glove and sock went from the dark purple that they were basecoated in to something with much more pronouced highlights, and the crest stayed in the original yellow, but with more emphasis on the highlights and shading. The corset and right bracer had enough in common with the right pauldron in terms of sculpting that they all got the same treatement – pearlescent red (which you cannot see in the photos at all) with a subtle red wash. The other metal accoutrements also got given the same brassy treatment as the helmet, as did the metal furniture of the weapon. Red gemstones and that was mostly that.

Realm of Chaos Slaves to Darkness Chaos Champion of Slaanesh, Jes Goodwin, 1988

The shield, naturally had to be one of the original plastics from the era of the sculpt. I went with one of the smaller “chaos” shaped shields in the end, as the main issue I have with a lot of them is that they end up covering a lot of the hard work you put into these lovely classic sculpts. I followed the same overall palette that I used on the rest of the model, with a freehand rune of Slaanesh that looks a little reminiscent of a dancing humanoid figure, due to the angles. I also gave the crescent on the end a bit of a crab-claw shape, as a nod to the daemonettes. Gloss varnish on the steed’s tongue for a nice, extra-slick look.

So thanks to Marouda’s choice (which admittedly was greeted with “that one??”) I have another model in that camp I rather like adding to – models I pretty much disliked, didn’t want to paint, and now have a real fondness for as finished pieces. Yeah, I’m happy with this one.