C27 Beastmen: Hogman (“Autumn” July-Aug 1985)

C27 Beastmen: Hogman (Sept 1985), Oldhammer

Today we’re looking at a really bloody ye olde model here. A C27 Beastman from 1985. “Hogman is his name, and …well, for the past many years, being an old broken piece of junk in a box has been his game. The model had been painted once, probably close to 30 years ago, and even then not to the best of my ability since it’s a rather wonky sculpt, and since then the spear blade had broken off and it was basically just a nothing model.

C27 Beastmen: Hogman (Sept 1985) , Oldhammer

So naturally Marouda saw it and picked it out to be a model for me to paint. First thing was to repair the speartip, with a donation from an OOP plastic skeleton, and then to repaint as needed, so he got a new cloak, new claws, new leather straps and touched-up flesh. The crudely-sculpted fur is a bit of a lost cause, and the feet are also very crudely sculpted – not much more than impressions in some blobs. Funny how the head is clearly so much better than any other part of the model. I suppose the cloak is competently done. Still, I guess we have to allow for the fact that the model is just a few months shy of 35 years old. Wow.

Now that’s some Oldhammer.

Realm of Chaos – Slaves to Darkness Beastmen VII: Slaangor (Neglected Model September ’18)

Realm of Chaos - Slaves to Darkness Beastmen Slaangor Oldhammer Beasts of Chaos

I’ve completed a few more of the old Realm of Chaos Beastmen that have been hidden away, part painted in figure cases for years or decades. This trio feature a pair of duplicate sculpts, both with broken weapons, both repaired in different ways at different points in time, and a variation on the same sculpt. These three of course are Slaangor – that is, beastmen dedicated to the Lord of Pleasure, Slaanesh.

Realm of Chaos - Slaves to Darkness Beastmen Slaangor Oldhammer Beasts of Chaos

The two on the ends needed their weapons repaired. The original weapon was a mace shaped into the rune of Slaanesh, as you can see on the beastman on our right. I attempted to repair it into it’s original form by making a replacement using another model with the same weapon to create a simple mold with Oyumaru and then greenstuff (kneadatite) for the part – then pinning it onto the stub. It turned out nicely on the front half, and rough as hell on the rear. I did this a couple of years ago. For the other model, I did it a few days ago using the pick end from a Chaos Marauder and simply pinning it onto the end of the broken mace, in order to differentiate the two models a little more.

All three were incredibly garish when I got them out of the case. Here’s an example of some of the flaws I used to make in terms of composition years ago. As you can see, I could still freehand just fine, but I apparently thought that there was a need to use all of the colours on way too many models. Speaking of freehand, please enjoy the four photos of this model, showing off some of its many tattoos. There’s also a rose you can’t see on the upper inner left thigh, as it’s now covered by the shield.

Realm of Chaos - Slaves to Darkness Beastmen Slaangor Oldhammer Beasts of Chaos Realm of Chaos - Slaves to Darkness Beastmen Slaangor Oldhammer Beasts of Chaos Realm of Chaos - Slaves to Darkness Beastmen Slaangor Oldhammer Beasts of Chaos Realm of Chaos - Slaves to Darkness Beastmen Slaangor Oldhammer Beasts of Chaos

I think the updated and completed version is a pretty solid improvement over the overly-garish (unfinished) attempt from years ago, while keeping the best elements of the original paintwork…

Realm of Chaos - Slaves to Darkness Beastmen Slaangor Oldhammer Beasts of Chaos

Here the three are alongside the other Slaangor that I painted awhile back. It’s on a larger base because I decided that it was a Champion of Slaanesh. You’ll note that all three sculpts share the same base. Keep this in mind next time you see someone bitching that GW’s new digital sculpts reuse elements.

Once again, these are Jes Goodwin sculpts, though these aren’t amongst the strongest of his work. As with many of the figures of the day, they’re not particularly dynamic, and these ones are also particularly “flat” sculpts.